![]() ![]() The human voice is an unquestionably challenging instrument to record. NOTE: Here’s a companion article I wrote that is the second half of the “good audio” equation: using EQ to shape your sound to make it warm up a voice and make it more intelligible. ![]() In order to process multiple tracks at the same time, we need to combine them using an Audio Submix track.Īlso, while it is a good idea to boost and limit dialog and narration, it is generally not a good idea to do the same with either sound effects or music. The Multiband Compressor effect is my tool of choice in Premiere for boosting and smoothing levels. ( Here’s a link to my training on Adobe Audition.) ProTools is another excellent audio package, but I’ve never had success working with their iLok copy protection. While learning an audio app can be intimidating, the time you invest pays major dividends in making your audio sound really, really good. NOTE: Personally, while the audio processing effects in both FCP X and Premiere aren’t too bad, I find that Adobe Audition is superior to both. ( In a second article, I show how these work in Apple Final Cut Pro X.) While the concepts of improving audio are the same between the two software, the tools we use and the workflow we create are different. In this article, I’ll show you how they work in Adobe Premiere Pro CC. We can add audio keyframes to each clip and try to smooth things out, but, frankly, life is too short.Ī while ago, I discovered some audio effects that can make this task a LOT easier. You ever have a problem where the audio levels you recorded for your talent are too low, or vary wildly in level? Yeah, me too. ![]()
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